Something in the Dark
Timothy is sprinting, a slippery pavement under him. It is
cold and dark and rain is pouring down, wetting his tweed suit and splattering
loudly on the concrete ground. Every few steps a lamppost looms creepily above
him and he is bathed in sallow light. Then he is in the dark again.
Something is lurking in the
darkness behind him. He saw it soon after he got off the routine 342 bus. It
was dark then too, but he had still made out a flash of something in the gloom
behind. A flash of something white and tall – and wide. Bureaucratic. The more
he thinks about it the clearer the image gets. It’s a businessman. A pale, fat
businessman. With a comb-over. Grinning. Grinning maniacally. Murderously. And he
had a briefcase, a brown one. A brown one in his right hand.
It hadn’t stopped following him;
he is sure of that. The more he runs, the closer he senses it gets.
Its thirst for blood cannot be
slaked.
Timothy is getting tired. Soon he
will be unable to run any further. He can already sense he is dropping his
pace. His breaths are becoming more difficult and more painful. His mouth is parched
and clogged with thick, waterless saliva.
He swallows some; it stings his
throat as it goes down.
His legs feel heavier and
heavier, and his clothes are becoming more and more soaked. Sweat slides down
his forehead, warmer than the rain.
He looks behind him, for just a
moment: through the blackness, he sees a flash. The businessman is still
pursuing him, close behind. He begins to sing the tune of Mary had a Little
Lamb with his fast, shallow breaths. He looks behind him once more: he sees a
flash again, this time closer.
For a moment, Timothy sees
himself doddering to a halt, exhausted, absolutely unable to go on. He watches
as he collapses to his knees. He watches as he takes out his crucifix necklace
from under his shirt, kisses the small gold symbol and begins fervently praying.
The movements of his mouth seem to indicate he is whispering “Please save me” again
and again. The view switches to Timothy’s own as the businessman approaches
him. His face is pale and porcine, his fingers – now stroking Timothy’s face – are
fat and thick, and his belly, bulbous and with hairs poking out through his
shirt, presses against Timothy’s back. The businessman’s erect penis presses
into his rump.
All of a sudden, the businessman grabs
the necklace, wrenches it off his neck and throws it into the gutter. It
clatters in the dark.
The night is still again. Now the
businessman slowly places his hands on Timothy’s face, their gross, fat,
hairiness right in front of Timothy’s eyes, and begins to caress his face. He
does it delicately, adoringly – like a lover. The businessman places his nails
on his chin, and then – suddenly – shoves them in. He begins to dig – dig so
hard his fingers penetrate his flesh. The squishy, viscous sound reminds Timothy
of sticking his fingers into an orange. Within seconds, the fingers are firmly
embedded inside.
And then the businessman begins,
slowly and clinically, to peel off his face. Timothy watches as the skin below him
is reluctantly ripped away, making a sort of sucking sound. His view is
suddenly obscured by some clumped up, folded facial skin. And then, with an
excruciating rip, he feels his face come completely off.
The view zooms out and Timothy
sees his face is fleshy and red, his eyes – terrified and glistening – are
staring out, and his mouth, whose lips are just discernible from the raw,
peeled flesh, are letting out a scream.
Timothy suddenly returns to real life and sees something red and angular in the gloom ahead of him, illuminated by sickly lamp-light. He
begins to sprint even faster. Now only a few steps away from the object, he
perceives it is a telephone box.
He runs into the box. He sticks
his finger into the tight coin pouch of his trousers and pinches as many coins
as he can. A couple fall on the ground. He doesn’t pick them up – he begins to
shove coins into the slot.
“10 pence,” he pants, “20 pence”.
It’s enough for a call. But the businessman
is still behind him. He can feel him lurking only a few metres behind.
He scrambles for the receiver. He
picks it up and begins pressing the numbers of Emergency: 999. It begins
ringing.
Ring. Ring.
It’s taking too long. He releases
the phone and runs out of the box. Now his only hope is getting home. He just
has to make it home and then he will be safe. The businessman can’t get inside
there.
Suddenly he slips and falls on
the wet, hard ground. His hands and knees sting intensely. He can’t see them
but he can tell his knees are badly grazed. For a second he is dazed, but then
he puts his hands out in front of him and tries to get up. His feet scrabble
uselessly on the slippery ground. Something – a hand – brushes his hair. He
gets to his feet and starts running again. He wheezes and gasps for air.
The businessman is right behind
him now, inexorably, indefatigably approaching his goal. He can feel his hot
breath on his neck. For a second, Timothy considers whether to give up, to let
the vision come true. But he doesn’t. He keeps running. His eyes water and his
lungs hurt.
…
Just as he’s about to abandon all
hope, he realises he’s almost home. Still running, he fumbles around in his
inside coat pocket for his house key. He finds it and takes it out. A few steps
later, he’s at his gate. Key pinched between two fingers, he fumbles open the
latch, loudly slams the gate shut and sprints down his garden path. The handle
of his front door glints before him. He hears a slight clink behind him. He bends
down to the key hole; he tries to shove the key into it and misses. Finally, he
jams it in. He tries to turn it but it won’t budge. He senses the businessman
is about to get him.
“Come on, come on, come on”.
The key turns, the door opens and
he jumps inside. He slams it shut.
He stands in the darkness,
panting heavily. He registers that he is sore all over, and that his knees sting
worst of all.
All of a sudden, he feels a desperate
urge to turn on the light. He scrabbles on the wall next to him for the switch.
He can’t feel it, only the slightly rough texture of paint on plaster. He is
beginning to panic; the terror is returning.
Oh god, oh god, oh god.
But then he feels it. He presses
it and it is light.
He walks, shivering with cold,
through the well-kept foyer of his house and into his living room. He turns on
the television. It is the news, and on the screen there is an enormous mushroom
cloud, billowing out with infernal power, consuming the screen. There is something
behind him!
Outside his front door, there is
no one around. There is no trace of any fat, balding businessman with a
briefcase. None at all. Just the wind, running through the neighbourhood,
rustling trees, making things clink.
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